Fratelli Alinari, The three Alinari brothers: Giuseppe, Leopoldo and Romualdo, 1860, glass plate negative 21x27 cm, Alinari Archives, Florence.
The history of the Alinari photographic heritage has its origins in Florence in 1852 when Leopoldo Alinari set up his first photographic laboratory in Florence and, together with his brothers Giuseppe and Romualdo, founded the company F.lli Alinari.
Fratelli Alinari, View of the entrance of the Fratelli Alinari photographic establishment on Via Nazionale, in Florence, now Largo Alinari, 1899, glass plate negative 21x27 cm, Alinari Archives, Florence.
Fratelli Alinari, View of the courtyard of the Fratelli Alinari photographic establishment in Florence. In the background the dome of the Medici Chapels, 1899, glass plate negative 21x27 cm, Alinari Archives, Florence.
Fratelli Alinari, View of the terrace of the Fratelli Alinari photographic establishment in Florence, 1899, glass plate negative 21x27 cm, Alinari Archives-Alinari Archive, Florence.
Fratelli Alinari, View of the laboratory of the Fratelli Alinari photographic establishment in Florence. The photographers are busy making contact prints, 1899, glass plate negative 21x27 cm, Alinari Archives, Florence.
Fratelli Alinari, Art printing house of the Fratelli Alinari photographic establishment on Via Nazionale, Florence, circa 1910, glass plate negative 21x27 cm, Alinari Archives, Florence.
Fratelli Alinari, View of the bright studio of the Fratelli Alinari photographic atelier. On the left, the operator Gaetano Puccini, 1899, glass plate negative 21x27 cm, Alinari Archives, Florence.
In 1863, the oldest photographic establishment in the world is built on Via Nazionale, then Largo Alinari, the palace that for over 150 years will be the headquarters of the company and where the rich photographic heritage was formed, one of the largest existing archives.
Fratelli Alinari, Love and Psyche, copy from the work of Antonio Canova, executed by Adamo Tadolini. Villa Carlotta di Tremezzo, Como, 1963, glass plate negative 21x27 cm, Alinari Archives, Florence.
Fratelli Alinari, The main spire of the Milan Cathedral, work of Francesco Croce, circa 1890, glass plate negative 21x27 cm, Alinari Archives, Florence.
Fratelli Alinari, The Last Judgment, fresco by Michelangelo Buonarroti, Sistine Chapel, Vatican Museums, Vatican City, 1890-1900, glass plate negative 21x27 cm, Alinari Archives, Florence.
Fratelli Alinari, David, sculpture by Michelangelo Buonarroti: close-up, circa 1954, glass plate negative 21x27 cm, Alinari Archives, Florence.
Fratelli Alinari, Self-portrait, drawing by Leonardo da Vinci, Royal Library, Royal Museums, Turin, circa 1890-1900, glass plate negative 21x27 cm, Alinari Archives, Florence.
Fratelli Alinari, Royal staircase, Palazzo Farnese, Caprarola, 1932, glass plate negative 21x27 cm, Alinari Archives, Florence.
Fratelli Alinari, King Midas advised by Ignorance and Suspicion. Detail of The Calumny, painting by Sandro Botticelli, Uffizi Gallery, Florence, circa 1890, glass plate negative 21x27 cm, Alinari Archives, Florence.
Fratelli Alinari, View of the Forum of Pompeii with Mount Vesuvius in the background, circa 1900, glass plate negative 21x27 cm, Alinari Archives, Florence.
In 1885, F.lli Alinari opened a publishing house and, at the beginning of the twentieth century, established collaborations with the Florentine company Brogi and the Roman Anderson.
Systematically photographs the historical, artistic, and architectural heritage, the collections of the museums, and the Italian landscape, spreading culture and art all over the world.
Chauffourier, Gustave Eugène, Shoe shiner, Naples, circa 1890, glass plate negative 21x27 cm, Alinari Archives-Chauffourier Archive, Florence.
Stabilimento Brogi, Portrait of the composer Giacomo Puccini, circa 1895, glass plate negative 24x18 cm, Alinari Archives-Brogi Archive, Florence.
Stabilimento Anderson, View of the Roman Forum with the Arch of Septimius Severus and the Basilica Julia, Rome, 1860, glass plate negative 21x27 cm, Alinari Archives-Anderson Archive, Florence.
Stabilimento Anderson, The Judgment of Saint James. Work of Andrea Mantegna, Ovetari Chapel, Church of the Eremitani, Padua. The work was lost due to the bombings of the last war (the chapel was bombed on March 11, 1944), circa 1890, glass plate negative 21x27 cm, Alinari Archives-Anderson Archive, Florence.
Fiorentini Pietro, Girl full of love, ceramic, Arturo Martini (1889-1947), International Gallery of Modern Art, Ca' Pesaro, Venice, circa 1945, glass plate negative 17x12 cm, Alinari Archives-Fiorentini Archive, Florence.
Fiorentini Pietro, Church of the Redeemer, Venice, circa 1945, glass plate negative 21x27 cm, Alinari Archives-Fiorentini Archive, Florence.
Following the crisis of the Great War, in 1920 the company passed to a Tuscan group led by Baron Ricasoli and in 1957 became owned by Senator Vittorio Cini. Thanks to his foresight, archives such as Brogi, Anderson, Chauffourier, and Fiorentini were acquired, enriching the photographic heritage.
Balocchi Vincenzo, Forte Belvedere in Florence, 1957, cellulose acetate film 6x9 cm, Alinari Archives-Balocchi Archive, Florence.
In the Seventies, ownership passed to the Milanese Zevi family. In 1977, a major exhibition was set up at Forte Belvedere in Florence which was successful, opening a phase of historical and documentary enhancement of the heritage.
Gnudi Dario for Villani, The Italian actress Virna Lisi, February 6, 1961, color polyester film 6x6 cm, Alinari Archives-Villani Archive, Florence.
Wulz Wanda, Portrait of a young woman with a greyhound, circa 1931, silver gelatin print, Alinari Archives-Wulz Studio Archive, Florence.
Stanimirovitch Duncan, Skyscrapers of New York City, circa 1955, silver gelatin print, Alinari Archives-Stanimirovitch Archive, Florence.
Team photographic agency, Demonstration in favor of abortion, Rome, circa 1975, Alinari Archives-Team Archive, Florence.
Tatge George for Alinari, San Benedetto, Choir 'C'. Museum of the Opera del Duomo, Prato, 1995, color slide on 6x7 cm film, Alinari Archives-Seat Archive, Florence.
Lorusso Nicola for Alinari, Bacchus, painting by Michelangelo Merisi known as Caravaggio, Uffizi Gallery, Florence, 1990, color slide on 10x12 cm film, Alinari Archives, Florence.
Studio Villani, Model with colored balloons, circa 1960, color cellulose acetate film, Alinari Archives-Villani Archive, Florence.
Quilici Folco, Collective dance, Bali, 1970, color slide on film, Folco Quilici © Alinari Archives, Florence.
In 1982, ownership passed to the De Polo family which inaugurated a new strategy: the digitization and sale of images at the end of the 1990s. They created a commercial network for the sale of digital images worldwide.
"Me + cat": superimposition of the face of Wanda Wulz with the image of her own cat, 1932, Wanda Wulz, Alinari Archives, Florence.
In June 2018, the Superintendence of Archives and Bibliographic Heritage of Tuscany declared the Alinari heritage of notable historical interest. The Tuscany Region approved the regional law no. 65 of November 13, 2019, recognizing the exceptional cultural value of the Alinari heritage.
A fundamental operation that saved this unique archive from dispersion, ensuring its future accessibility.
Babbitt, Platt D. (attributed), Male portrait with Niagara Falls in the background, circa 1850, ambrotype, Alinari Archives, Florence.
Bondini Pompeo (attr.), The Temple of Hercules the Victor known as the Temple of Vesta, Foro Boario, Rome, circa 1850, calotype negative, Alinari Archives, Florence.
Fratelli Alinari, Alinari camera on a platform sixteen meters high inside the Sistine Chapel, 1904, silver gelatin print 25.4x19.3 cm, Alinari Archives, Florence.
Fratelli Alinari, Portrait of the politician Antonio Mordini, multiple image, circa 1870, glass plate negative 13x18 cm, Alinari Archives, Florence.
Unidentified photographer, Portrait of a geisha, circa 1870, hand-colored albumen print, Alinari Archives, Florence.
Cover of the photographic album by Von Gloeden titled Taormina, Alinari Archives-von Gloeden archive, Florence.
Chouanard Henrie, Two women by the sea, Corsica, circa 1920-1925, autochrome, Alinari Archives-Chouanard Archive, Florence.
Wulz, Wanda, Portrait of Neva Lach, circa 1935, glass plate negative 16x12 cm, Alinari Archives-Wanda Wulz Archive, Florence.
Studio Betti Borra, Shipyard, Livorno, circa 1945, silver gelatin print, Alinari Archives-Betti Borra Archive, Florence.
Team Photographic Agency, Basketball player, circa 1980, silver gelatin print, Alinari Archives-Team Archive, Florence.
In February 2020, the Tuscany Region established a technical scientific committee to monitor the Alinari heritage and founded the FAF - Alinari Foundation for Photography in July 2020, marking a new beginning for the Alinari heritage (Statute).
A year later, in December 2020, the purchase of the digital heritage consisting of over 250,000 images, trademarks, and usage rights was finalized.