found 170 results
gruppiFAF-GRANDILASTREUn patrimonio fotografico di 170 lastre realizzate in misure maggiori rispetto ai formati standard comunemente pubblicati nei cataloghi commerciali degli atelier tra Ottocento e Novecento. Oggetti fotografici di dimensioni considerevoli che raggiungono i 114 cm sul lato lungo, le cosiddette lastre imperiali, la cui analisi ai fini del restauro, anche da un punto di vista diagnostico, ha rilevato lavorazioni artigianali peculiari come mascherature di carta, verniciature e ritocchi. L’offerta sul mercato fotografico di stampe “Grandissime” inizia già con il primo catalogo generale del 1863 sotto la guida di Leopoldo Alinari, e si intensifica con la direzione di Giuseppe raggiungendo un primato nella tecnica che gli valse la medaglia d’oro all’Esposizione Universale di Parigi del 1889, per la riproduzione a grandezza naturale di alcuni dipinti della Galleria degli Uffizi. Quest’opera continua sotto la direzione di Vittorio dal 1890 fino al 1920. I soggetti rappresentati sono soprattutto capolavori delle gallerie fiorentine e romane, vedute di Firenze, Roma, Venezia e Napoli e soggetti le cui caratteristiche fanno ipotizzare richieste su commissione. Oltre alle lastre dei Fratelli Alinari ve ne sono alcune prodotte da Anderson e Mannelli. La decodifica tecnica e filologica dei “giganti di vetro” è molto complessa, perciò, la ricerca prosegue per approfondire la conoscenza di un unicum tra i patrimoni fotografici internazionali ma allo stesso tempo cifra di un’epoca. Intervento di digitalizzazione reso possibile grazie al finanziamento del PNRR Missione 1 – Digitalizzazione, innovazione, competitività e cultura, Componente 3 – Turismo e Cultura 4.0 (M1C3), Misura 1 - Patrimonio culturale per la prossima generazione, Investimento 1.1 - Strategie e piattaforme digitali per il patrimonio culturale, Sub-investimento 1.1.5 - Digitalizzazione del patrimonio. Il restauro e la catalogazione sono stati realizzati grazie al contributo della Fondazione CR Firenze.
Image IDACA-NXG-0008035-000-000041
Sacred Love and Profane Love, painting, Titian (c. 1488–1576), Galleria Borghese, Rome
Fotografo: Alinari, Fratelli
Date of photography1890-1892
Image IDACA-NXG-0006247-000-000026
View of the Roman Forum from the Capitoline Hill, Rome
Fotografo: Alinari, Fratelli
Date of photography1888-1900
Image IDACA-NXG-0006244-000-000022
View of the Roman Forum from the Arch of Titus, Rome
Fotografo: Alinari, Fratelli
Date of photography1892
Image IDACA-NXG-0005819-000-000024
View of the Colosseum, Rome
Fotografo: Alinari, Fratelli
Date of photography1888-1912
Image IDACA-NXG-0003118-000-000028
A view of the banks of the Arno, featuring the Ponte Vecchio, the Ponte Santa Trinita, the Ponte alla Carraia and the Ponte di Ferro alle Cascine
Editore: Alinari, Fratelli
Date of photography1890-1896
Image IDACA-NXG-0003097-000-000029
View of Piazza della Signoria, Florence
Fotografo: Alinari, Fratelli
Date of photography1890-1896
Image IDACA-NXG-00000SN-000-000114
View of the Colosseum, Rome
Editore: Alinari, Fratelli
Date of photography1870-1880
Image IDACA-NXG-00000SN-000-000104
View of the Colosseum, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1888-1912
Image IDACA-NXG-00000SN-000-000095
Trajan’s Forum, Rome
Fotografo: Alinari, Fratelli
Date of photography1892-1899
Image IDACA-NXG-0000127B-000-000011
A view of the countryside from Baron Ricasoli’s estate
Fotografo: Alinari, Fratelli
Date of photography1920
Image IDACA-NXG-0032BSN-000-000037
Temple of Antoninus and Faustina, Roman Forum, Rome
Fotografo: Alinari, Fratelli
Date of photography1888-1900
Image IDACA-NXG-0032ASN-000-000036
View of the Roman Forum from the Via Sacra, Rome
Fotografo: Alinari, Fratelli
Date of photography1888-1900
Image IDACA-NXG-0031BSN-000-000034
View of the Colosseum, Rome
Fotografo: Alinari, Fratelli
Date of photography1888-1912
Image IDACA-NXG-00000SN-000-000089
View of the Colosseum, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1888-1912
Image IDACA-NXG-00000SN-000-000087
View of the Colosseum Archaeological Park on the left, the Meta Sudans in the centre and the Arch of Constantine on the right, Rome
Fotografo: Alinari, Fratelli
Date of photography1888-1912
Image IDACA-NXG-00000SN-000-000072
View of the Colosseum, Rome
Fotografo: Alinari, Fratelli
Date of photography1888-1912
Image IDACA-NXG-00000SN-000-000040
The Annunciation, detail from The Adoration of the Magi, right spandrel, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000039
The sighting of the star and the departure of the Magi, detail from The Adoration of the Magi, painting, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000027
Madonna and Child, detail, painting, Bartolomé Esteban Murillo (1617–1682), Palatine Gallery, Palazzo Pitti, Florence
Fotografo: Alinari, Fratelli
Date of photography1896-1916
Image IDACA-NXG-00000SN-000-000020
View of the Roman Forum from the Capitoline Hill, Rome
Fotografo: Alinari, Fratelli
Date of photography1900-1912
Image IDACA-NXG-00000SN-000-000019
View of the Roman Forum from the Capitoline Hill, Rome
Fotografo: Alinari, Fratelli
Date of photography1900-1912
Image IDACA-NXG-00000SN-000-000018
Nativity, detail from The Adoration of the Magi, predella, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000017
The Flight into Egypt, detail from The Adoration of the Magi, predella, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000016
Panorama of Brolio, Baron Ricasoli’s estate
Fotografo: Alinari, Fratelli
Date of photography1920
Image IDACA-NXG-00000SN-000-000015
Panorama of Pisa from the Citadel Tower
Fotografo: Alinari, Fratelli
Date of photography1881
Image IDACA-NXG-00000SN-000-000014
Panorama of Naples
Fotografo: Alinari, Fratelli
Date of photography1907
Image IDACA-NXG-00000SN-000-000007
The Transfiguration, painting, Raphael Sanzio (1483–1520), Vatican Art Gallery, Vatican Museums, Vatican City
Fotografo: Alinari, Fratelli
Date of photography1892
Image IDACA-NXG-00000SN-000-000004
Moses, detail, Tomb of Julius II, marble, Michelangelo Buonarroti (1475–1564), Basilica of San Pietro in Vincoli, Rome
Fotografo: Alinari, Fratelli
Date of photography1876
Image IDACA-NXG-00000SN-000-000003
The Birth of Venus, detail of the Winds, painting, Alessandro Filipepi, known as Botticelli (1445–1510), Uffizi Galleries, Florence
Fotografo: Alinari, Fratelli
Date of photography1891
Image IDACA-NXG-00000SN-000-000002
Musical Concert, painting, Titian (1488/1490–1576) (formerly known as Giorgione), Palatine Gallery, Pitti Palace, Florence
Fotografo: Alinari, Fratelli
Date of photography1878-1881
Image IDACA-NXG-00000SN-000-000001
Military letters, papyrus, AD 203, Biblioteca Medicea Laurenziana, Florence
Fotografo: Alinari, Fratelli
Date of photography1920
Image IDACA-NXG-00000SN-000-000093
A general view of the interior of the Colosseum, Rome
Fotografo: Alinari, Fratelli
Date of photography1888-1912
Image IDACA-NXG-0039CSN-000-000099
View of the Roman Forum with the Temple of Saturn, the remains of the Basilica Julia and the Temple of the Dioscuri, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1888-1900
Image IDACA-NXG-0039BSN-000-000098
View of the Temple of Saturn, Roman Forum, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1888-1900
Image IDACA-NXG-0039ASN-000-000097
View of the Roman Forum from the Capitoline Hill; in the foreground are the remains of the Temple of Vespasian, the Arch of Septimius Severus and the Temple of Saturn; in the background is the Church of Saints Luke and Martina, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1888-1900
Image IDACA-NXG-0032CSN-000-000038
View of the ruins of the Temple of the Dioscuri, known as the Temple of Castor and Pollux, and the façade of the Church of Santa Maria Liberatrice (demolished in 1900), Roman Forum, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1888-1900
Image IDACA-NXG-00000SN-000-000086
View of the Roman Forum, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900-1912
Image IDACA-NXG-00000SN-000-000084
View of the Roman Forum, with the Temple of Saturn in the foreground, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900-1912
Image IDACA-NXG-00000SN-000-000083
View of the Roman Forum from the Capitoline Hill, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900-1912
Image IDACA-NXG-00000SN-000-000079
View of the Temple of Saturn, Roman Forum, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900-1912
Image IDACA-NXG-00000SN-000-000077
View of the Roman Forum from the Capitoline Hill; in the foreground are the remains of the Temple of Vespasian, the Arch of Septimius Severus and the Temple of Saturn; in the background is the Church of Saints Luke and Martina, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900-1912
Image IDACA-NXG-00000SN-000-000076
View of the Temple of Saturn, Roman Forum, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900-1912
Image IDACA-NXG-00000SN-000-000074
View of the Roman Forum from the Capitoline Hill, with the ruins of the Temple of Vespasian and the Arch of Septimius Severus in the foreground, and the Church of Saints Luke and Martina in the background, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900-1912
Image IDACA-NXG-00000SN-000-000073
View of the Temple of Saturn, Roman Forum, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900-1912
Image IDACA-NXG-0001954-000-000051
Moses, detail, Tomb of Julius II, marble, Michelangelo Buonarroti (1475–1564), Basilica of San Pietro in Vincoli, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1876
Image IDACA-NXG-0000126-000-000010
A view of Baron Ricasoli’s estate, featuring Brolio Castle. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1920
Image IDACA-NXG-00000SN-000-000125
La Flora, painting, Titian (c. 1488–1576), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1870-1880
Image IDACA-NXG-00000SN-000-000127
Parche, painting, Francesco de' Rossi detto il Salviati (1510-1563) (formerly Michelangelo Buonarroti), Palatine Gallery, Pitti Palace, Florence. The negative forms part of the collection of oversized plates
Fotografo: Alinari, Fratelli
Date of photography1880-1890
Image IDFBQ-NXG-00000SN-000-000111
A view of the port of Palermo with Mount Pellegrino. The negative is part of the corpus of “imperial” format plates
Fotografo: Unidentified Author
Date of photography1900
Image IDFBQ-NXG-00000SN-000-000110
A view of the Venice lagoon towards St Mark’s Square. The negative is part of the corpus of “imperial” format plates
Fotografo: Unidentified Author
Date of photography1890-1900
Image IDACA-NXG-0000933-000-000047
The Last Judgement, fresco, Michelangelo Buonarroti (1475–1564), Sistine Chapel, Vatican Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000142
Venus de' Medici, sculpture, Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography01-10/1890
Image IDACA-NXG-00000SN-000-000008
Giotto’s Bell Tower, Cathedral of Santa Maria del Fiore, Florence
Fotografo: Alinari, Fratelli
Date of photography1896-1916
Image IDACA-NXG-0002258-000-000113
Madonna and Child, sculpture, Michelangelo Buonarroti (1475-1564), New Sacristy, Medici Chapels, Church of San Lorenzo, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1876
Image IDACA-NXG-0007711-000-000158
The Transfiguration, detail of the figure of Christ, painting by Raphael Sanzio (1483–1520), Vatican Art Gallery, Vatican Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1892
Image IDACA-NXG-0030150-000-000064
Risorgimento Bridge, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1911-1922
Image IDACA-NXG-00000SN-000-000124
Madonna of Foligno, painting, Raphael Sanzio (1483–1520), Vatican Art Gallery, Vatican Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1890-1892
Image IDACA-NXG-00000SN-000-000117
The Transfiguration, painting, Raphael Sanzio (1483–1520), Vatican Art Gallery, Vaticans Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1890-1892
Image IDACA-NXG-00000SN-000-000107
Panorama of the Lungarno della Zecca and the Torre San Niccolò, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1880-1881
Image IDACA-NXG-00000SN-000-000096
A view of Florence from Piazzale Michelangelo. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1880-1881
Image IDACA-NXG-0000161-000-000134
Madonna and Child, painting, Bartolomé Esteban Murillo (1618–1682), Palatine Gallery, Palazzo Pitti, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1881-1891
Image IDACA-NXG-0000138-000-000159
Saint George, marble, Donatello, Donato di Niccolò di Betto Bardi known as (1386-1466), External tabernacle of the Guild of Armourers and Swordmakers, Church of Orsanmichele, now the Bargello National Museum, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1887-1891
Image IDACA-NXG-0000002-000-000067
The Birth of Venus, detail from The Spring, painting by Alessandro Filipepi, known as Botticelli (1445–1510), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1891
Image IDACA-NXG-00000SN-000-000149
Madonna and Child with the Young Saint John, known as the ‘del Pozzo’, painting by Francesco di Cristoforo, known as Franciabigio (1484–1525) (formerly Raffaello Sanzio), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1880-1890
Image IDACA-NXG-00000SN-000-000148
Self-portrait, painting, Elisabeth Louise Vigée Le Brun (1755–1842), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1880-1890
Image IDACA-NXG-00000SN-000-000146
Madonna Adoring the Child with the Infant Saint John, Saint Joseph and an Angel, painting, Lorenzo di Credi (c. 1460–1537), Museo Horne (formerly the Uffizi Gallery), Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1880-1890
Image IDACA-NXG-00000SN-000-000128
The Transfiguration, detail, painting, Raphael Sanzio (1483–1520), Vatican Art Gallery, Vatican Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1892
Image IDACA-NXG-00000SN-000-000090
Panorama of Florence from Piazzale Michelangelo. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1880-1881
Image IDACA-NXG-0009269-000-000070
St Francis Preaching to the Birds, a scene from the series of paintings depicting the Life of St Francis, fresco by Giotto di Bondone (1267–1337), Upper Basilica of St Francis, Assisi. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1887
Image IDACA-NXG-0007161-000-000091
Angel playing the lute, detail from The Ascension of Christ, fresco, Melozzo degli Ambrosi, known as Melozzo da Forlì (1438–1494), Vatican Art Gallery (formerly in the Church of the Holy Apostles), Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1890/01-1893
Image IDACA-NXG-0005898-000-000042
View of St Peter's Square, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000081
An angel playing the viola, detail from The Ascension of Christ, fresco, Melozzo degli Ambrosi, known as Melozzo da Forlì (1438–1494), Vatican Art Gallery (formerly in the Church of the Holy Apostles), Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1890/01-1893
Image IDACA-NXG-0008035D-000-000170
Sacred Love and Profane Love, painting, Titian (c. 1488–1576), Galleria Borghese, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1912
Image IDFBQ-NXG-00000SN-000-000112
Group portrait featuring Queen Margherita of Savoy, dedicated to His Excellency the Marquis of Villamarina. The negative is part of the corpus of “imperial” format plates
Fotografo: Stabilimento Fotografico Francesco Pesce
Date of photography1889
Image IDACA-NXG-00000SN-000-000153
Madonna and Child, detail from The Adoration of the Magi, painting, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000150
The Magi, detail from The Adoration of the Magi, fresco, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000141
Christ Blessing, detail from The Adoration of the Magi, central spandrel, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000140
Procession of the Magi, detail from The Adoration of the Magi, painting by Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000137
Announcing Angel, detail from *The Adoration of the Magi*, left spandrel, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000131
Horses, detail from The Adoration of the Magi, painting, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000130
The Magi, detail from The Adoration of the Magi, fresco, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000162
The Bargello Courtyard, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli, (attributed)
Date of photography10-1909/30-12-1916
Image IDACA-NXG-00000SN-000-000161
Bargello Courtyard, Florence. The positive is part of the collection of extra-large format plates
Fotografo: Mannelli, Anchise & C.
Date of photography10-1909/30-12-1916
Image IDACA-NXG-00000SN-000-000160
Bargello Courtyard, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Mannelli, Anchise & C.
Date of photography10-1909/30-12-1916
Image IDACA-NXG-00000SN-000-000030
Christ the Judge, detail from The Last Judgement, painting by Fra Giovanni da Fiesole, known as Beato Angelico (c. 1400–1455), Museo di San Marco, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000021
The Last Judgement, detail, painting, Fra Giovanni da Fiesole, known as Beato Angelico (c. 1400–1455), Museo di San Marco, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-0010765-000-000108
The Birth of Venus, detail, painting, Alessandro Filipepi, known as Botticelli (1445–1510), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1891
Image IDACA-NXG-00000SN-000-000122
Spring, painting, by Alessandro Filipepi, known as Botticelli (1445–1510), Uffizi Galleries, Florence. The negative forms part of the collection of oversized plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDMAA-NXG-00000SN-000-000120
Madonna of the Magnificat, painting, Alessandro Filipepi, known as Botticelli (1445–1510), Uffizi Galleries, Florence. The negative is part of the corpus of “imperial” format plates
Fotografo: Mannelli
Date of photography
Image IDADA-NXG-00000SN-000-000115
The ceiling of the Sistine Chapel, fresco by Michelangelo Buonarroti (1475–1564), Vatican Museums, Vatican City. The negative is part of the corpus of “imperial” format plates
Fotografo: Anderson, Domenico
Date of photography1882-1890
Image IDMAA-NXG-00000SN-000-000121
Madonna and Child, detail from the Madonna delle Arpie, painting by Andrea d'Agnolo, known as del Sarto (1486–1530), Uffizi Galleries, Florence. The negative is part of the corpus of “imperial” format plates
Fotografo: Mannelli
Date of photography
Image IDACA-NXG-0029783-000-000145
Portrait of Pope Innocent X, painting by Diego Velázquez (1599–1660), Doria Pamphilj Gallery, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0029723-000-000155
Portrait of Pope Innocent X, painting by Diego Velázquez (1599–1660), Doria Pamphilj Gallery, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0019647-000-000061
View of the Benedictine Cloister, Monreale Cathedral, Palermo. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0018911-000-000058
Venus Rokeby or Venus at Her Mirror, painting, Diego Velázquez (1599–1660), National Gallery, London. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0013231-000-000012
Saint Barbara, painting, Jacopo Negretti, known as Palma il Vecchio (c. 1475–1528), Church of Santa Maria Formosa, Venice. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0007695B-000-000009
A commissioned reproduction of a painting depicting a scene from Shakespeare’s play Cymbeline (?). The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0007576-000-000118
The Last Judgement, fresco, Michelangelo Buonarroti (1475–1564), Sistine Chapel, Vatican Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1878-1881
Image IDACA-NXG-0007479-000-000025
The Dawn, fresco, Guido Reni (1575–1642), Casino del Palazzo Pallavicini-Rospigliosi, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-002213B-000-000071
A picturesque view of various buildings with loggias and terraces, drawing, Giovanni Maria Galli da Bibbiena (1619–1665), Department of Prints and Drawings, Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
