found 170 results
gruppiFAF-GRANDILASTREUn patrimonio fotografico di 170 lastre realizzate in misure maggiori rispetto ai formati standard comunemente pubblicati nei cataloghi commerciali degli atelier tra Ottocento e Novecento. Oggetti fotografici di dimensioni considerevoli che raggiungono i 114 cm sul lato lungo, le cosiddette lastre imperiali, la cui analisi ai fini del restauro, anche da un punto di vista diagnostico, ha rilevato lavorazioni artigianali peculiari come mascherature di carta, verniciature e ritocchi. L’offerta sul mercato fotografico di stampe “Grandissime” inizia già con il primo catalogo generale del 1863 sotto la guida di Leopoldo Alinari, e si intensifica con la direzione di Giuseppe raggiungendo un primato nella tecnica che gli valse la medaglia d’oro all’Esposizione Universale di Parigi del 1889, per la riproduzione a grandezza naturale di alcuni dipinti della Galleria degli Uffizi. Quest’opera continua sotto la direzione di Vittorio dal 1890 fino al 1920. I soggetti rappresentati sono soprattutto capolavori delle gallerie fiorentine e romane, vedute di Firenze, Roma, Venezia e Napoli e soggetti le cui caratteristiche fanno ipotizzare richieste su commissione. Oltre alle lastre dei Fratelli Alinari ve ne sono alcune prodotte da Anderson e Mannelli. La decodifica tecnica e filologica dei “giganti di vetro” è molto complessa, perciò, la ricerca prosegue per approfondire la conoscenza di un unicum tra i patrimoni fotografici internazionali ma allo stesso tempo cifra di un’epoca. Intervento di digitalizzazione reso possibile grazie al finanziamento del PNRR Missione 1 – Digitalizzazione, innovazione, competitività e cultura, Componente 3 – Turismo e Cultura 4.0 (M1C3), Misura 1 - Patrimonio culturale per la prossima generazione, Investimento 1.1 - Strategie e piattaforme digitali per il patrimonio culturale, Sub-investimento 1.1.5 - Digitalizzazione del patrimonio. Il restauro e la catalogazione sono stati realizzati grazie al contributo della Fondazione CR Firenze.
Image IDACA-NXG-00000SN-000-000127
Parche, painting, Francesco de' Rossi detto il Salviati (1510-1563) (formerly Michelangelo Buonarroti), Palatine Gallery, Pitti Palace, Florence. The negative forms part of the collection of oversized plates
Fotografo: Alinari, Fratelli
Date of photography1880-1890
Image IDFBQ-NXG-00000SN-000-000111
A view of the port of Palermo with Mount Pellegrino. The negative is part of the corpus of “imperial” format plates
Fotografo: Unidentified Author
Date of photography1900
Image IDFBQ-NXG-00000SN-000-000110
A view of the Venice lagoon towards St Mark’s Square. The negative is part of the corpus of “imperial” format plates
Fotografo: Unidentified Author
Date of photography1890-1900
Image IDACA-NXG-0000933-000-000047
The Last Judgement, fresco, Michelangelo Buonarroti (1475–1564), Sistine Chapel, Vatican Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000142
Venus de' Medici, sculpture, Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography01-10/1890
Image IDACA-NXG-00000SN-000-000008
Giotto’s Bell Tower, Cathedral of Santa Maria del Fiore, Florence
Fotografo: Alinari, Fratelli
Date of photography1896-1916
Image IDACA-NXG-0002258-000-000113
Madonna and Child, sculpture, Michelangelo Buonarroti (1475-1564), New Sacristy, Medici Chapels, Church of San Lorenzo, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1876
Image IDACA-NXG-0008035-000-000041
Sacred Love and Profane Love, painting, Titian (c. 1488–1576), Galleria Borghese, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1890-1892
Image IDACA-NXG-0007711-000-000158
The Transfiguration, detail of the figure of Christ, painting by Raphael Sanzio (1483–1520), Vatican Art Gallery, Vatican Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1892
Image IDACA-NXG-0003118-000-000028
A view of the banks of the Arno, featuring the Ponte Vecchio, the Ponte Santa Trinita, the Ponte alla Carraia and the Ponte di Ferro alle Cascine. The negative is part of the collection of extra-large format plates
Editore: Alinari, Fratelli
Date of photography1890-1896
Image IDACA-NXG-0030150-000-000064
Risorgimento Bridge, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1911-1922
Image IDACA-NXG-00000SN-000-000124
Madonna of Foligno, painting, Raphael Sanzio (1483–1520), Vatican Art Gallery, Vatican Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1890-1892
Image IDACA-NXG-00000SN-000-000117
The Transfiguration, painting, Raphael Sanzio (1483–1520), Vatican Art Gallery, Vaticans Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1890-1892
Image IDACA-NXG-00000SN-000-000114
View of the Colosseum, Rome. The negative is part of the collection of extra-large format plates
Editore: Alinari, Fratelli
Date of photography1870-1880
Image IDACA-NXG-00000SN-000-000107
Panorama of the Lungarno della Zecca and the Torre San Niccolò, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1880-1881
Image IDACA-NXG-00000SN-000-000096
A view of Florence from Piazzale Michelangelo. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1880-1881
Image IDACA-NXG-0000161-000-000134
Madonna and Child, painting, Bartolomé Esteban Murillo (1618–1682), Palatine Gallery, Palazzo Pitti, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1881-1891
Image IDACA-NXG-0000138-000-000159
Saint George, marble, Donatello, Donato di Niccolò di Betto Bardi known as (1386-1466), External tabernacle of the Guild of Armourers and Swordmakers, Church of Orsanmichele, now the Bargello National Museum, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1887-1891
Image IDACA-NXG-0000002-000-000067
The Birth of Venus, detail from The Spring, painting by Alessandro Filipepi, known as Botticelli (1445–1510), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1891
Image IDACA-NXG-00000SN-000-000149
Madonna and Child with the Young Saint John, known as the ‘del Pozzo’, painting by Francesco di Cristoforo, known as Franciabigio (1484–1525) (formerly Raffaello Sanzio), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1880-1890
Image IDACA-NXG-00000SN-000-000148
Self-portrait, painting, Elisabeth Louise Vigée Le Brun (1755–1842), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1880-1890
Image IDACA-NXG-00000SN-000-000146
Madonna Adoring the Child with the Infant Saint John, Saint Joseph and an Angel, painting, Lorenzo di Credi (c. 1460–1537), Museo Horne (formerly the Uffizi Gallery), Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1880-1890
Image IDACA-NXG-00000SN-000-000128
The Transfiguration, detail, painting, Raphael Sanzio (1483–1520), Vatican Art Gallery, Vatican Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1892
Image IDACA-NXG-00000SN-000-000090
Panorama of Florence from Piazzale Michelangelo. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1880-1881
Image IDACA-NXG-00000SN-000-000027
Madonna and Child, detail, painting, Bartolomé Esteban Murillo (1617–1682), Palatine Gallery, Palazzo Pitti, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1896-1916
Image IDACA-NXG-00000SN-000-000007
The Transfiguration, painting, Raphael Sanzio (1483–1520), Vatican Art Gallery, Vatican Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1892
Image IDACA-NXG-00000SN-000-000002
Musical Concert, painting, Titian (1488/1490–1576) (formerly known as Giorgione), Palatine Gallery, Pitti Palace, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1878-1881
Image IDACA-NXG-0009269-000-000070
St Francis Preaching to the Birds, a scene from the series of paintings depicting the Life of St Francis, fresco by Giotto di Bondone (1267–1337), Upper Basilica of St Francis, Assisi. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1887
Image IDACA-NXG-0007161-000-000091
Angel playing the lute, detail from The Ascension of Christ, fresco, Melozzo degli Ambrosi, known as Melozzo da Forlì (1438–1494), Vatican Art Gallery (formerly in the Church of the Holy Apostles), Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1890/01-1893
Image IDACA-NXG-0005898-000-000042
View of St Peter's Square, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000081
An angel playing the viola, detail from The Ascension of Christ, fresco, Melozzo degli Ambrosi, known as Melozzo da Forlì (1438–1494), Vatican Art Gallery (formerly in the Church of the Holy Apostles), Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1890/01-1893
Image IDACA-NXG-0008035D-000-000170
Sacred Love and Profane Love, painting, Titian (c. 1488–1576), Galleria Borghese, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1912
Image IDFBQ-NXG-00000SN-000-000112
Group portrait featuring Queen Margherita of Savoy, dedicated to His Excellency the Marquis of Villamarina. The negative is part of the corpus of “imperial” format plates
Fotografo: Stabilimento Fotografico Francesco Pesce
Date of photography1889
Image IDACA-NXG-0001954-000-000051
Moses, detail, Tomb of Julius II, marble, Michelangelo Buonarroti (1475–1564), Basilica of San Pietro in Vincoli, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1876
Image IDACA-NXG-00000SN-000-000153
Madonna and Child, detail from The Adoration of the Magi, painting, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000150
The Magi, detail from The Adoration of the Magi, fresco, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000141
Christ Blessing, detail from The Adoration of the Magi, central spandrel, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000140
Procession of the Magi, detail from The Adoration of the Magi, painting by Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000137
Announcing Angel, detail from *The Adoration of the Magi*, left spandrel, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000131
Horses, detail from The Adoration of the Magi, painting, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000130
The Magi, detail from The Adoration of the Magi, fresco, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000040
The Annunciation, detail from The Adoration of the Magi, right spandrel, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000039
The sighting of the star and the departure of the Magi, detail from The Adoration of the Magi, painting, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000018
Nativity, detail from The Adoration of the Magi, predella, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000017
The Flight into Egypt, detail from The Adoration of the Magi, predella, Gentile da Fabriano (1370–1427), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000162
The Bargello Courtyard, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli, (attributed)
Date of photography10-1909/30-12-1916
Image IDACA-NXG-00000SN-000-000161
Bargello Courtyard, Florence. The positive is part of the collection of extra-large format plates
Fotografo: Mannelli, Anchise & C.
Date of photography10-1909/30-12-1916
Image IDACA-NXG-00000SN-000-000160
Bargello Courtyard, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Mannelli, Anchise & C.
Date of photography10-1909/30-12-1916
Image IDACA-NXG-00000SN-000-000030
Christ the Judge, detail from The Last Judgement, painting by Fra Giovanni da Fiesole, known as Beato Angelico (c. 1400–1455), Museo di San Marco, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-00000SN-000-000021
The Last Judgement, detail, painting, Fra Giovanni da Fiesole, known as Beato Angelico (c. 1400–1455), Museo di San Marco, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1900
Image IDACA-NXG-0010765-000-000108
The Birth of Venus, detail, painting, Alessandro Filipepi, known as Botticelli (1445–1510), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1891
Image IDACA-NXG-00000SN-000-000001
Military letters, papyrus, AD 203, Biblioteca Medicea Laurenziana, Florence
Fotografo: Alinari, Fratelli
Date of photography1920
Image IDACA-NXG-00000SN-000-000122
Spring, painting, by Alessandro Filipepi, known as Botticelli (1445–1510), Uffizi Galleries, Florence. The negative forms part of the collection of oversized plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDMAA-NXG-00000SN-000-000120
Madonna of the Magnificat, painting, Alessandro Filipepi, known as Botticelli (1445–1510), Uffizi Galleries, Florence. The negative is part of the corpus of “imperial” format plates
Fotografo: Mannelli
Date of photography
Image IDACA-NXG-00000SN-000-000089
View of the Colosseum, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDADA-NXG-00000SN-000-000115
The ceiling of the Sistine Chapel, fresco by Michelangelo Buonarroti (1475–1564), Vatican Museums, Vatican City. The negative is part of the corpus of “imperial” format plates
Fotografo: Anderson, Domenico
Date of photography1882-1890
Image IDMAA-NXG-00000SN-000-000121
Madonna and Child, detail from the Madonna delle Arpie, painting by Andrea d'Agnolo, known as del Sarto (1486–1530), Uffizi Galleries, Florence. The negative is part of the corpus of “imperial” format plates
Fotografo: Mannelli
Date of photography
Image IDACA-NXG-0029783-000-000145
Portrait of Pope Innocent X, painting by Diego Velázquez (1599–1660), Doria Pamphilj Gallery, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0029723-000-000155
Portrait of Pope Innocent X, painting by Diego Velázquez (1599–1660), Doria Pamphilj Gallery, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0019647-000-000061
View of the Benedictine Cloister, Monreale Cathedral, Palermo. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0018911-000-000058
Venus Rokeby or Venus at Her Mirror, painting, Diego Velázquez (1599–1660), National Gallery, London. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0013231-000-000012
Saint Barbara, painting, Jacopo Negretti, known as Palma il Vecchio (c. 1475–1528), Church of Santa Maria Formosa, Venice. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0007695B-000-000009
A commissioned reproduction of a painting depicting a scene from Shakespeare’s play Cymbeline (?). The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0007576-000-000118
The Last Judgement, fresco, Michelangelo Buonarroti (1475–1564), Sistine Chapel, Vatican Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1878-1881
Image IDACA-NXG-0007479-000-000025
The Dawn, fresco, Guido Reni (1575–1642), Casino del Palazzo Pallavicini-Rospigliosi, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0006247-000-000026
View of the Roman Forum from the Capitoline Hill, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0006244-000-000022
View of the Roman Forum from the Via Sacra, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0005819-000-000024
View of the Colosseum, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0003097-000-000029
View of Piazza della Signoria, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-002213B-000-000071
A picturesque view of various buildings with loggias and terraces, drawing, Giovanni Maria Galli da Bibbiena (1619–1665), Department of Prints and Drawings, Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0001858-000-000023
Gates of Paradise, Lorenzo Ghiberti (1381–1455), Museo dell'Opera del Duomo (formerly the Baptistery of St John), Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0001116-000-000050
The Dispute over the Sacrament, fresco, Raphael Sanzio (1483–1520), Stanza della Segnatura, Vatican Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0001111-000-000059
The Parnassus, fresco, Raphael Sanzio (1483–1520), Stanza della Segnatura, Vatican Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0001095-000-000052
The School of Athens, fresco, Raphael Sanzio (1483–1520), Stanza della Segnatura, Vatican Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000126
Madonna and Child, painting, Carlo Dolci (1616–1687). Palatine Gallery, Palazzo Pitti, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000125
La Flora, painting, Titian (c. 1488–1576), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000123
Madonna and Child, detail from the Madonna delle Arpie, painting by Andrea d'Agnolo, known as del Sarto (1486–1530), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1890
Image IDACA-NXG-00000SN-000-000119
The Magdalene, painting, Titian (c. 1488–1576), Palatine Gallery, Palazzo Pitti, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000116
The Last Judgement, detail, painting, Fra Giovanni da Fiesole, known as Beato Angelico (c. 1400–1455), Museo di San Marco, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000106
The Creation of Adam, detail, fresco, Michelangelo Buonarroti (1475–1564), Sistine Chapel, Vatican Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000105
The façade of St Peter’s Basilica, with the Vatican Obelisk in the foreground, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000104
View of the Colosseum, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000103
View of the colonnade of St Peter’s Basilica, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000102
The Aurora, detail, fresco, Guido Reni (1575–1642), Casino del Palazzo Pallavicini-Rospigliosi, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000101
The Aurora, detail, fresco, Guido Reni (1575–1642), Casino del Palazzo Pallavicini-Rospigliosi, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000100
The Aurora, detail, fresco, Guido Reni (1575–1642), Casino del Palazzo Pallavicini-Rospigliosi, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000095
Trajan’s Forum, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-00000SN-000-000094
View of Palazzo Vecchio, Piazza della Signoria, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0001070-000-000156
Madonna and Child with the Infant Saint John and Saint Anthony the Abbot, known as Our Lady of the Roses, oil on canvas, Titian (1488–1576), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography01-1890/24-10-1890
Image IDACA-NXG-0001039-000-000157
Madonna of the Harpies, painting, Andrea d'Agnolo, known as del Sarto (1486–1530), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography1890
Image IDACA-NXG-0000953-000-000053
The Original Sin and the Expulsion of Adam and Eve from the Garden of Eden, detail from the ceiling of the Sistine Chapel, fresco by Michelangelo Buonarroti (1475–1564), Vatican Museums, Rome. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0000949-000-000060
The Creation of Adam, fresco, Michelangelo Buonarroti (1475–1564), Sistine Chapel, Vatican Museums, Vatican City. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0000620B-000-000164
The Marriage of the Virgin, painting, Raphael Sanzio (1483–1520), Pinacoteca di Brera, Milan. The positive is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0000620A-000-000163
Madonna, detail from Madonna and Child with Angels, painting by Filippo Lippi (1406–1469), Uffizi Galleries, Florence. The positive is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0000599-000-000147
Madonna of the Magnificat, painting, Alessandro Filipepi, known as Botticelli (1445–1510), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography01-01-1890/24-10-1890
Image IDACA-NXG-0000595-000-000068
The Slander of Apelles, painting, Alessandro Filipepi, known as Sandro Botticelli (1445–1510), Uffizi Galleries, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0000594-000-000109
The Ecstasy of Saint Cecilia, painting, Raphael Sanzio (1483–1520), National Art Gallery, Bologna. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0000318-000-000132
La Bella, painting, Titian (c. 1488–1576), Palatine Gallery, Palazzo Pitti, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0000301-000-000133
Saint John the Baptist, painting, Andrea d'Agnolo, known as Del Sarto (1486–1530), Palatine Gallery, Palazzo Pitti, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
Image IDACA-NXG-0000245-000-000054
Madonna of the Chair, painting, Raphael Sanzio (1483–1520), painting, Palatine Gallery, Pitti Palace, Florence. The negative is part of the collection of extra-large format plates
Fotografo: Alinari, Fratelli
Date of photography
